On June 13, 2018, Judy Collins with Steven Stills brought their tour to Atlanta Symphony Hall.
TAM Photographer Chuck Holloway was on hand to capture the evening.
For more tour dates, visit the Judy Collins website.
Beth Hart embarked on the first official stop of her Fire on the Floor 2017 North American Tour at Atlanta’s Center Stage on Saturday, February 11 for a dynamic bluesy filled night with Rachael Sage in support. I love powerful, strong women who tell stories. Not just about love, betrayal or heartache, but songs that are political – that make a statement about the world we live in, and that’s is exactly what Rachael Sage does, especially with her brand new song “This Darkness” it’s a song about the trials and tribulations of what the people at Standing Rock are enduring. Both Rachael and Beth are fierce women with fire running through their veins.
Beth feels more like the living embodiment of Janis Joplin mixed with a splash of Billie Holiday and a dash of Etta James, simply speaking Hart is utter undiluted rawness. Hart is out in support of eighth solo studio album, Fire on the Floor, which made its North America release debut on February 3. The 13-track album illuminates Hart’s bluesy rock, jazz infused funk that is filled with heart, compassion and empathy – and that is exactly what you get when you see her perform live. First and foremost, you get honesty blended with the joy of love and all the perils of heartache to match.
Center Stage was the perfect place to host an intimate Beth Hart experience, as she performed a collection of songs that transcended her career, from “Rhymes” to “One Eyed Chicken” to the sensual as hell “Close to My Fire” and of course no Beth Hart show would be complete without “La Song,” the song that put her on the map in the late 90s. From compassion to pure blues, the set felt like a love letter to the past, while still embracing the now with “Jazz Man” and “No Place Like Home.” Hart divulges pieces of her soul, not only through her lush smoke-infused golden voice, but each night she gets on stage to perform, she let’s out all her demons and gives a hell of a performance.
Seriously this woman is one of my all-time favorite artists. Beth is fierce, unafraid at the depths at which she rawly exposes her flaws and embraces them as truth; not only on stage but in real life as well, with a fire-lit performance that leaves you wanting more, yet thoroughly sated by the knowledge that you’ve spent an evening with greatness. And that is exactly what Beth Hart is, she is the embodiment of passion, with a brazen heartache and redemption all rolled together. From playing in Los Angeles clubs in the early 90s to traveling around the world to sold out shows with greats like Joe Bonamassa, this is a woman who is finally comfortable in her own skin. And there is nothing more glorious, than to see an artist fully come into their own.
Beth Hart is an artist you need to see, she will set your blood on fire with pure saturated goodness. Her voice is honey-tinted shades of bits of heaven as she mesmerizes you with pain, love and the journey of life. How this singer-songwriter expresses herself through her music breath-taking, and a must see. Don’t miss out on The Fire on the Floor 2017 Tour, it runs through March 25, ending at The Chicago Theatre.
Written and Photographed by Danielle Boise
Cyndi Lauper definitely did deviate with her latest album, Detour. Going the route of old school country glamour mixed with a splash of rockabilly, Detour is not only delightful, but it’s a hell of a lot of fun in a way that only Lauper could pull off. She takes the best of classic country, circa 40s and 50s, and then puts her own twist on it and it’s absolutely heavenly. Cyndi Lauper brought her Detour tour to Atlanta Symphony Hall on Sunday, June 5, with The Peach Kings in support for a full night of heartfelt music.
This fantastic duo, Paige Wood and Steven Dies, out of L.A., make up The Peach Kings. They started the night off with a soulful, indie alt-rock vibe that hit the right note. The chemistry between the duo was palpable, especially when they performed “Thieves and Kings,” but when they performed “Mojo Thunder” it was searing. This is a band that is on the rise and is one you want to keep on your radar. I always love who Cyndi has accompany her on tour, because of her I’ve been introduced to a wealth of talented performers, like The Dresden Dolls (who I am an uber fan anything Amanda Palmer does) and now The Peach Kings, who I cannot get enough of.
Cyndi is such a unique and lovely soul and with each song she performed, she gave a little bit of herself to all of us. She started the night off with “Funnel of Love” (a Wanda Jackson cover), followed by “She Bop,” “Heartaches by the Number” (a Ray Price cover), “ I Drove All Night,” “The End of the World” (a Skeeter Davis cover), “Walking After Midnight” ( a Patsy Cline cover), “I Want to Be a Cowboy’s Sweetheart” (a Patsy Montana cover), “You Don’t Know,” “When You Were Mine” (a Prince cover), and ended the regular set with “Money Changes Everything” (a cover of The Brains). For the encore, Cyndi did a cover of Eddy Arnold’s “Misty Blue” followed by the tear jerking “Time After Time.” And of course, no Cyndi Lauper show would be complete without “Girls Just Want to Have Fun” where she had The Peach Kings join her on stage for a rousing rendition of the 80s classic. For her final song of the evening, Cyndi did a medley of “A Part Hate” mixed with “True Colors.”
For me, I am truly a byproduct of growing up in the 80s, with Cyndi being an idol of mine. “Girls Just Want To Have Fun” was my generation’s anthem of choice. Like a great bottle of wine, Cyndi Lauper has just gotten better with age. And each time I’ve had the distinct pleasure of seeing her perform live, it’s like it’s the first time; it’s pure perfection. There is so much love and heart that she explodes into each performance, but what makes her shows so special is how she gives insight into her personal life. With Detour, she gave us glimpses into her childhood and what it was like growing up as an Italian in Brooklyn. The crazy Saturday morning cartoons and songs helped inspire her with this album. But for me, the most impactful part of the night was right before she did “I Want to Be a Cowboy’s Sweetheart” because she paid homage to a time, not too far back in our history, where for a woman the best you could hope for in order to become anything was to be attached to a man. It was a very powerful statement and one that resonated with me personally.
If you get a chance, this is a tour you do not want to miss out on. It’s fun and full of so much energy and the best thing is’ you leave happier and lighter than when you walked in the door. Who wouldn’t love that?
I, along with approximately twenty-five hundred people, took over The Fox Theatre on Wednesday April 27 to see the artists from the ABC smash-hit TV show, Nashville for the Nashville in Concert tour for an absolutely glorious evening to rejoice in the joys and wonders of the songs from the show.
Personally, as a fan from the show from the beginning, it was a great opportunity to witness (for all of us fans) the songs that have played not only a key role in the story line of the four seasons run of Nashville (fingers crossed for a fifth run in the fall), but songs that personally hit each of us as well. Like all great music does, it’s a collective experience, yet personal journey we join along together in. What was so fantastic about Nashville in Concert was getting the chance to see these musicians who are actors, who then play musicians on television perform in a live setting – in one sense it was very meta for me.
Another great thing about getting the chance to see Charles Esten (aka Deacon Claybourne), Clare Bowen (aka Scarlett O’Connor), Chris Carmack (aka Will Lexington) and Aubrey Peeples (aka Layla Grant) perform their own music was that it was so vulnerable, yet inviting at the same time. They were willing to share their personal journeys with all of us. Not to mention we got to hear a new music from the show that hasn’t aired as of yet.
In the beginning each artist came out to do one song individually, after that they kind of alternated between one another and did duets for the rest of the evening. Chris Carmack started the night off with his first song, followed by Aubrey Peeples, Clare Bowen and then Charles Esten. For me, Chris Carmack performance was pure showmanship, and can he play a mean blues guitar. The highlight was when he performed “Pieces of You” (which is one of his original songs). His parents drove in four hours to see him perform at The Fox Theatre and you could tell he was so honored to be there. That was the key theme of the night for all the artists up on stage, it was about humility, honor and just being a sense of gratefulness that they were able to connect with their fans in a true and honest way.
Aubrey Peeples was up next and the only words that came out of my mouth were “damn can she sing.” I mean I knew she could sing from the show, but live – it was like a dream, as she performed “The Book” which is a new song that is set to be played on the second to last episode of the season. She also performed “Too Far From You,” “Soul Survivor” and “Break it to Me Gently.” Clare Bowen, along with her fiance, performed together for all of her songs. It was so sweet and endearing seeing them so in love with each other.
For me, the personal favorite moment was “Hand to Hold,” which happens to be the song that reconnects Clare’s character, Scarlett, with her uncle Deacon (Charles Esten) as they performed it together at the Beverly in the show. Clare was raw and exposed as she announced to the audience that she would be returning back home (Australia) in a few weeks to donate as much bone marrow to her brother as she could, because he has always been her rock, the one person she has turned to her whole life and now he needs her. For her to be so unfiltered and honest was tear jerking. And the voice that she has is like angels singing.
When Charles Esten stepped onto stage, he said “being on Nashville is like a fine meal, but being here with you is like dessert.” Which sent everyone into a frenzy. Charles Esten was a lot of fun up on stage, he was really feeling himself and having a blast, part himself and part his character shined through, as he played “Just Like You.” For the final song, the entire cast came back on stage with Esten and as a tribute, for the sake of a tribute only, they performed “Purple Rain” in honor of Prince, as The Fox Theatre was the last series of shows Prince performed prior to his untimely passing.
This was a truly amazing experience to have, not only as a fan of the show, but as a fan of music. If you get the chance to see Nashville in Concert, this would be a ticket worth buying.
Nashville Live in Concert Photography – Photos by Danielle Boise
The SweetWater 420 Festival returned to Atlanta’s Centennial Olympic Park on April 22 – 24 for the annual musical and beer festival for the ultimate SweetWater experience. From an all-star musical lineup of acts consisting of approximately 50 bands, ranging from The Roots, to The People’s Blue of Richmond to our very own Ludacris, the SweetWater 420 Festival was the place to be at with an amazing cross section of music from rock to R&B to hip-hop to bluegrass to electronica and indie all mixed together to give it the perfect vibe for a fantastic weekend. There was something for everyone to indulge in.
The music was hot and the beer was cold, especially in The SweetWater Experience Tent where you had the opportunity to taste test up to 40 distinct beers, sit down and listen to brew masters, then follow up with Q & A sessions afterwards. Plus there was always the chance of sitting down and having a beer or two with a band, like Leftover Salmon.
What makes the 420 Festival so special and such a huge part of Atlanta is it’s really more than just having a good time, yes, that is part of it, going out and having fun with friends, listening to some of your favorite artists perform live, but it’s also about being with people in a pretty cohesive environment and respecting the environment that we all share together. The saying at the festival is “we’re here for a good time, she’s here for a longtime” (referencing mother earth and to pay respect and homage to her).
Founder of The SweetWater Brewery said it best “When you love what you do, it’s not work.” And how could you not love the perfect weekend in spent in Atlanta being immersed in music, beer, amazing food and great works of art from local artists.
All photos by Danielle Boise for Target Audience Magazine.
Written & Photographed by Danielle Boise
Melanie Martinez splashed onto the music scene in 2012 as a contestant in the third season of the NBC hit reality show, The Voice, which landed her a record deal with Atlantic Records. Martinez has been able to craft an incredibly eye-opening way of showing us all what lurks behind the pretenses of perfection and shatters that illusion with cleaver hooks and a dreamlike voice. She dropped her Dollhouse EP in 2014, which was then incorporated into her debut album released in August of 2015, Cry Baby. Since the release Martinez has been on a whirlwind tour for to support this incredible project. The 13-track album is not light-hearted fare, but it a gorgeous conceptual album that is the perfect solution to any bad day.
Martinez finally made her way to Atlanta on Tuesday, April 5, for her sold out show at The Buckhead Theatre with Mainland in support. For a standing room only show, as it was completely sold out, as has been the case with the majority of Martinez’s stops on her Cry Baby Tour. People drove in from all over the southeast, lining up as early as 8 am for a 7:30 pm show, in order to get to be as close as possible to this fast rising star.
What’s so wonderful about The Buckhead Theatre is that while it’s not the smallest venue in Atlanta, it holds approximately 1,500 at full capacity, but has this delightful retro feel – while maintaining an intimate atmosphere, that both the fans and artists truly appreciate and was the perfect place to host the Cry Baby tour.
The alternative New York-based trio, Mainland opened the show with performing songs off their soon-to-be-released Outcast, out on 300 Entertainment later this summer. This was the masterful blend of music that balanced each other out perfectly for its honest intent and pure moments of connection, conception and poignant lyrics across the board between both Mainland and Martinez.
With a 14-song set list, Martinez pretty much played her Cry Baby album in track order, by starting off the evening by popping out of a crib for “Cry Baby” followed by the powerfully hypnotic “Dollhouse.” The dark illusions of “Sippy Cup” was up next, with the most expressive lyrics being “Kids are still depressed when you dressed them up.” It’s a powerful reflection, mirrored back to us on the context of perception. How perception actually alters the landscape of reality. Yet reality still exists under the context of layers of disbelief, where the lies we tell ourselves only to shout to the world at large live in. It’s a mind-boggling, Melanie’s artistry to her wordsmith skill set to craft a delicious sentiment that translates so accurately. I truly feel she is a voice of a generation that needs to be heard and this is their path to being understood.
Of course “Carousel” was up next, you can’t have a Melanie Martinez show without “Carousel.” Followed by “Alphabet Boy,” “Soap,” “Training Wheels,” “Pity Party,” “Tag,” “You’re It,” “Milk and Cookies,” “Pacify Her,” “Mrs. Potato Head” and ended the regular set with “Cake.” For Martinez’s encore she came back out for one final song and end the night on an impeccable note with “Mad Hatter.”
What is so remarkable about Melanie Martinez is there is no pretense, she is a woman who is playing by her own set of rules, and boy are they a glorious set of rules. She is a voice of a generation that is needs to be heard. There is nothing quite like seeing her perform live, as she is fully in the moment and brings us all along for the ride. Martinez is a delightful performer, who is maintains being down-to-earth and earnest. And if you get the chance to see her live, do.
Review and Photos by Danielle Boise
It had been since 2008 since the Los Angeles-based punkobilly meet psychobilly, rock trio, Tiger Army performed at the Tabernacle, and they did not disappoint as they opened for the Dropkick Murphys’ 20th Anniversary Tour at the Tabby on Saturday, March 5 in the heart of downtown Atlanta. With a high energy set, that included “Rumble” and “FTW,” along with debut a new song, called “Prisoner of the Night,” off their soon-to-be released spring album. Tiger Army got the crowd primed for Dropkick Murphys, and did a hell of a job doing that.
“The boys are back and they are looking for trouble.” For 20 years, Dropkick Murphys has been providing fans with a a ruckus, patriotic-infused, good-old fashion Irish kick-ass time. Full of fast and furried songs spent with throttled meaning, along with supporting a variety of community based causes. The Boston pride runs deep and proud throughout Dropkick Murphys as they brought their own style of rock to the Tabernacle for a sold out show that rivaled any other that I’ve seen there. Seriously, you can’t go wrong with a DKM show.
With a 26-song set list, the Dropkick Murphys did not disappoint, as they kicked into gear with the rock portion of the night with “Johnny, I Hardly Knew Ya” followed by “Out of Our Heads,” “Walk Away,” “Famous for Nothing,” “Sunshine Highway” and a delicious Clash cover of “Career Opportunities.” DKM performed the beautifully haunting “Rose Tattoo,” a new song off their latest release, Singed and Sealed in Blood, followed by “The Auld Triangle,” “Heroes From Our Past,” “Caps and Bottles,” The Press cover of “21 Guitar Salute,” a Rodgers & Hammerstein cover of “You’ll Never Walk Alone” followed by “Flannigans Ball” and “The Ghosts of Rock & Roll” before entering their acoustic portion of the night, with songs like, “Barroom Hero,” “The Gang’s All Here,” “Sandlot,” “The State of Massachusetts,” “The Gauntlet” and ended with “I’m Shipping Up to Boston.” For the encore Dropkick Murphys came back out onto stage “Worker’s Song” and then brought the throttle of fans onto the stage for the final songs, “Kiss Me, I’m Shittfaced,” “Skinhead on the MBTA,” and ended on a high note with “Having a Party.
What I have to say I love the most about Dropkick Murphys is not only their dedication to their music and their fans, but they bleed red, white and blue to the core; very patriotic and gives back to the community through Children’s Charities and honors returning vets and other military organizations, feeling regardless of what side of the line you fall on that these men and women deserve the respect and honor that should be granted to them.
Honorable, humble and full of hell – that’s the Dropkick Murphys through-and-through, and worth the ticket price everytime. They continue their US tour through March 20, ending at Brighton Music Hall in Massachusetts before heading to Europe this summer.