On October 12, ZZ Top played Ameris Bank Amphitheater.
TAM Photographer Chuck Holloway was on hand to capture the evening.
For more tour dates, visit the ZZ Top website.
ZZ Top – Ameris Bank Amphitheatre – 2019
Hundreds of people packed the Playstation Theatre in New York City on Tuesday, September 24, for a night of rockin’ out. Alter Bridge and Skillet co-headlined the Victorious Sky Tour with special guest Dirty Honey.
The LA based rockers – Dirty Honey kicked off their set with their song “Scars” off of their self titled EP. Their 6 song set also included: “When I’m Gone” and “Rolling 7s.”
Skillet, the Tennessee based Christian rock band, performed next and kicked off their set with “Feel Invincible” off their album Unleashed. When performing “You Ain’t Ready” off their new album Victorious, John Cooper, the band’s lead singer wore a suit with Co2 cannons attached to his arms. During both “Awake and Alive” and “Hero” the band’s drummer and vocalist, Jen Ledger, came off her drum kit and sang while not playing drums. John Cooper also took a break during the set before performing “Victorious” to speak about mental health. Throughout their 13 song set they played tracks off of five of their albums.
Alter Bridge closed out the night with a rocking performance. They kicked off their set with “Wouldn’t You Rather” off of their soon to be released sixth album Walk the Sky. The band also performed 2 additional songs off of that album, “In the Deep” and “Pay No Mind.” They closed out their set with some of their classics: “Blackbird”, “Metalingus”, and “Open Your Eyes.”
If you missed the show, you can catch the Victorious Sky Tour around the country on their remaining tour dates. Visit the Alter Bridge’s official website for ticket information.
Full Photo Gallery of Dirty Honey
Full Photo Gallery of Skillet
Full Photo Gallery of Alter Bridge
The open mic comedy phenomena in Atlanta is real. On any evening, you can find at least two venues offering a place for upcoming or Atlanta comedy regulars to practice their craft for five to seven minutes. The 4:20 Comedy Show, Saturdays at 529, is an interesting aberration in the late comedy scene because it takes place in the afternoon. Each comedian gets four minutes to make the audience laugh. Using a showcase space in the 529 bar in the heart of East Atlanta Village, I have seen some truly hilarious acts on stage at the 4:20 Comedy Show. Both locals and out-of-town visitors try their hand at comedy, often with great results.
Like any open mic, the 4:20 show (pun intended) is bound to have some acts that don’t quite sell it on stage. But, like any open mic, that is part of the charm. You are sitting there on an Atlanta afternoon watching people working on new material, people who are honing their “tight five,” and people who just figure, “I will try this.” It’s a mish-mash and the mish-mash is the point. Open mics are supposed to be experimental, and even if the jokes land flat, the performance itself is theater.
We talked this week with Peter Akeley, the man who runs the 4:20 show, and an accomplished comedian in his own right.
What is the 4:20 Comedy Show?
I host a open mic in East Atlanta Village on Saturday afternoons at 529. Sign up is at 3 p.m. and the show starts at 4 p.m. Anyone’s welcome to come by and sign up. It’s a true open mic and whoever comes out gets about 4 minutes of stage time.
It’s a work-out room (for comedy) with a relaxed atmosphere and very little judgment. We get a lot of newer comics just starting out, but it’s also great for more experienced comics to have a chance to work on newer bits and further hone their existing material.
It is an afternoon open mic, the only one in town, how did you decide to do it then?
The mic was started up about nine years ago by Joe Pettis and I’m the third generation of hosts. The show has always been in the afternoon on Saturdays at 529 because it’s a time slot that works for the comics and the venue. Saturday afternoon is a chill time and a lot of folks come to hang out with their friends and catch the show.
How many comedians do you get on an average week?
We usually get about 20 comics each week. The max we can have is 30 because we wrap up the show at 6 p.m. Again, sign up is at 3 p.m. and the show is at 4 p.m.
Is this an open mic just for young comedians or will the audience get a diverse set of comics?
We have comics of all gender, race, age and whatever else you can think of. It really is an open mic in that way, and I try to keep it a friendly environment for comics to get to know one another. It really depends on who’s at the show that day.
How did you get into comedy?
I did a lot of comedy in school, mostly in theater. I was in a handful of plays and did musicals in high school, often as comedic characters, but really I just started doing comedy when I could. I’ve been “serious” about stand-up for the last six and a half years. I realized there were a ton of shows in town and started going to all the shows I could find. Eventually, I worked out an act and signed up.
What is great about the Atlanta Comedy Scene?
Atlanta is probably my favorite thing about comedy. There’s a tight-knit group of comics in this city that produce great shows. The sheer density of comedy shows per night is daunting. There are more good shows in Atlanta than most entire states. I think part of that is the audience but a lot of it comes from the work people put into producing the funniest show they can.
What would you tell a person who has never done an open mic about trying it?
I think I’d start by saying: Do you really want to do it?
If so I’d tell them about 529’s open mic on Saturday afternoon in EAV (sign up at 3 p.m.)
Or, I might just nod and say “oh cool” depending on how the mood is. It’s not hard to get on a stage, but after that it’s a lot of work. Most people don’t want to talk at a group of people in a dark room. Anyone who wants to try stand-up out should go for it, but it won’t be applause breaks every time.
Anything special coming up for 529?
We have a couple extra special shows coming up soon! On September 28th as part of the East Atlanta Strut we will be having a booked showcase featuring some of Atlanta’s best comics. It’s a great time to cool down from the heat and foot traffic and see some live comedy.
Then on October 5th we will be teaming up with the Red Clay comedy festival! They are sending over eight comics that got into the festival and I’ll be hand selecting a group of 529 regulars that did not get into the festival this year.
You are not only running a comedy show, you are a comedian. Anything special coming up?
Also on October 11th, 10:30 p.m. at Relapse Theater I’m co-producing the second installment of COS-WARS. I get eight comics to cosplay as characters from all over pop culture and then have them do a roast battle tournament. I’m proud to announce the character lineup:
It’s going to be a silly smash up and tickets will be on sale on Relapsecomedy.com. We will have a costume contest for the audience at this show! October 11th, 10:30 p.m., Relapse Theater!!!
Any closing notes?
Give me a holler if you end up coming through 529 as a result of the article and I’ll give you one of my best high fives!
Find out more about the 4:30 Comedy Show at 529:
Where: 529 Flat Shoals Ave SE, Atlanta, Georgia 30316
When: 4:00 p.m. Every Saturday
Dad’s Garage Theater Company, arguably Atlanta’s leader in comedy theatrics, has changed a bit since 2012. So has the convention scene in Atlanta. The original 2012 Wrath of Con represented a world where “The Con,” a fictional analog to Dragon Con, was a place for outsiders to find common ground and escape the world. “The Con” of Wrath of Con: Into Dorkness is a place where those who have been attending for decades are confronted by the changing younger demographic. The younger characters are there for immersive gaming, the Marvel Cinematic Universe, and Anime; while the older characters are there to recapture memories of The Greatest American Hero and Deep Space 9. This generational clash is a theme through the play and offers the best laughs and the most touching moments.
This is a play for adults, by adults. The language is rough, the situations can be sexual. It is clearly intended, as most shows at Dad’s, for those old enough to vote.
Writing on the play was begun by John Carr, Ed Morgan, and Z Gillispie in early January. The three produced a tight and hilarious script. The locale is a convention, but the story is universal enough that a theater goer would not need to see the original production or even be a convention veteran to appreciate the play. It draws specifically on events and convention situations that were not addressed in the first play, makes subtle changes to the characters that are returning to address the passing of years, and introduces new characters organically into the situations.
After the show I heard one of the actors credit Dan Triandiflou’s direction for bringing out his character’s pathos without stopping the comedy. And, from the audience we saw the effect of solid directing all night. Each character is given a chance to bring out a purpose in their action, and an authenticity in their performance that never hits buffoonery, except in the character of Eric, where the buffoonery is the message.
The cast includes two actors returning from the summer production of the 2012 play: Taylor Roy as the aging Hank and Ronnie Johnson-Lopez as the unstoppable party-animal Eric. Hank’s neice, who is attending The Con for the first time, is played by Hannah Morris. A new African-American family is introduced with Avery Sharp as father Tim, an eternal member who had been coming longer than Hank, and Anthony Nash as his son, who wishes to go by his online name of “Switch-Knight.” Rounding out the cast are Justin “4th ” Geer, and Karen Cassady playing mulitple characters.
Before discussing the action of the show, a special note must be made about Dad’s longtime performer Karen Cassady. Playing multiple roles she excelled as the Sipowicz-like character who works for the hotel while pursuing a secret cabal who controls the convention. She had the audience in raucous laughter with each of her characters. If any complaint could be made about the show, it is this, her other main character, April, was not fully developed and ended up seeming like a trophy or “MacGuffin.” But, the real praise is for how easily she switched between characters.
To the left of the stage, the audience’s left, not stage left, was a monitor that displayed everything from the opening Star Wars-based scroll to various scene change notes, to fake commercials in the style of Dragon Con’s DCTV and finally, to the closing credits. The credits are important, remember them.
After the Star Wars scroll tells everyone to watch the play, the cast came out for a song we can assume was called “It’s the Con, Say what?” with each of the leads singing a few versus and with a hilarious line about what is most important at a con for an adult: “disposible income.” We then are re-aquainted with Hank and introduced to his niece Sara. Hank wants to show Sara “his” convention, while Sara wants to create new memories. This starts the struggle between them, and is a pre-cursor to Hank’s eventual decline into despair that the things he loves most about the convention are fading memories of favorite shows and experiences, which are also becoming fading memories. Sara is also here to meet a gaming-chat crush.
Tim and Switch reveal their own generational struggle. For Tim the convention was a place of inclusion and a place of friendship and extended family. He wishes to bring his son to the convention to give it to him as a legacy, and to give his son the chance to find his own way in the con. But, Switch is here for gaming and not Battlestar Galactica. Switch is a hardcore gamer who struggles with discomfort in the real world. He is also here to meet his gaming-crush who, to no one’s surprise, is Sara.
Then there is Eric. Eric was introduced in the original Wrath of Con as clueless and wasted. Eric is reintroduced as wasted and clueless, but this time he carries a secret.
To find out how each of the characters resolves their burning questions, one must attend the play. This is a review not a spoiler. But, all actors bring their own vision to the characters and bring out the laughs and the feelings in the audience from the opening song to the curtain call.
But, there are some set pieces that bear calling out:
There is a brilliant longer segment where Switch is stuck in an elevator due to his choice to “go up to go down” while Sara is moving towards him through a sky bridge traffic jam. The entire scene is done in the motif of Ken Burn’s Civil War. All of the dialogue is done via texts such as, “My dearest Switch, I long to find respite in your arms again.” (Note: that might be the wrong verb, but that certainly captures the feel.)
And finally, remember when closing credits were mentioned? This is where they fit into the review. This is a play with a post-credit scene. The post-credit scene was one of the funniest things I have ever seen on stage. It was a sendup of the MCU, the Matrix, Kill Bill Part I, and so many other action movies carefully choreographed by Kevin Stilwell. There is nothing more that I can say that would not be a spoiler except that Eric’s secret is revealed.
In summary, if you are a nerd who has attended conventions, you will love Wrath of Con 2. If you are not a nerd who attends conventions and likes a good story about generational shift and love to laugh, you will love Wrath of Con 2.
Wrath of Con 2: Into Dorkness runs Thursday, Friday and Saturday at 8 p.m. from September 6 to October 5.
Dad’s Garage and Theater Company
569 Ezzard St. SE
PHONE (404) 523-3141
Disclaimer: Dan Carroll is the Spokesperson and Media Engagement Director for Dragon Con, but he has also been writing theater and comedy reviews since 2011 and keeps a wall between his Dragon Con responsibilities and his reviews. He loves both Dragon Con and live performances.
On August 21 , The Smashing Pumpkins and Noel Gallagher played Ameris Bank Amphitheater.
TAM Photographer Chuck Holloway was on hand to capture the evening.
Smashing Pumpkins – Cadence Bank Amphitheatre – 2019
Noel Gallagher – Cadence Bank Amphitheatre – 2019
Frequently Dad’s Garage Theater Company welcomes visiting performers, and this weekend they welcomed Scott Adsit. Many people know Adsit from his work on 30 Rock as Pete Hornberger, his role as Baymax in Big Hero 6, his Adult Swim Shows Moral Orel and Frankenhole, or his ubiquitous presence on TV as that “guy from that show.” However, Adsit began in live comedy in Chicago with Second City and loves returning to his live theater roots. He particularly loves working with Dad’s Garage because he loves “going to places and doing improv with people who love it.”
I got to see Scott August 9 for his Friday night shows.
Tonight’s performance showed just how well he worked with local performers. Alongside the local cast, Adsit moved with lightning speed as they created comedy live. Improv has no scripts or preparation. Adsit rattled out one-liners, comebacks, and navigated through ridiculous situations. He took to the stage with comfort, as if he was grabbing lunch with an old friend and picked up a conversation that had just been interrupted a few days back. Then took the audience up on stage with him.
Dad’s mainstay Whittney Millsap hosted the evening. Tom Rittenhouse, Megan Leahy, Anna Giles, Maged Roushdi, Freddy Boyd, and Cole Wadsworth provided the laughs for the audience. Both Giles and Roushdi were coming from the recent revival of Wrath of Con at Dad’s Garage. And, because Scott Adsit has been included in a character in the Marvel Universe, he was also joined on stage briefly by Dradpool, portrayed by costumer Ryan Taylor.
As Adsit recently told this writer, improv is “writing on water.” It’s difficult to capture individual beats because the comedy was so fast, and one joke melted away from memory as we begin to laugh at the next. Through the entire show, the audience laughed convulsively at every gag that worked and occasionally groaned when a bit fell flat. Improv, they say, is about the process and not the joke.
The performance was exhilarating, and the energy was so contagious! I chose to stay for the second show after filing this review.
Dad’s Garage Theater Company has been called Atlanta’s premiere improv company. Established in 1995, the company has stayed together during moves and growth and has built a new home for itself in an old church on Ezzard Street, just off Edgewood Avenue. Tonight’s show clearly showed how tight a company they are.
There are two more shows scheduled for Saturday night. If you enjoy comedy and laughing, you owe it to yourself to get down to Dad’s and see Scott Adsit.
Find out more:
569 Ezzard St. SE
Atlanta, Georgia 30312