Nonpoint’s ninth record, The Poison Red, is a mix of old and new. The band’s signature heavy groove is abound, but the band does a bit of experimentation on this record. The choppy riffing on “Foaming At The Mouth” recalls early Helmet and totally contrasts with Elias insouciant rapping throughout the song. The band blends heavy crunch with a laidback groove making for a strong song. Things pick up on “Bottled Up Killer Bees” with its scratchy riffs that sound like bees crashing in a bottle. The shredding guitar lead on “Bottled” is a shining example of Nonpoint’s underrated musicianship. These guys can play more than the typical nu-metal riff and are not afraid to prove that. “Standing In The Flesh” is another heavy hitter. The stomping drumming drives this song forward while the riffs churn like whirlpool. This is another hit for the band and will certainly be a fan favorite on the band’s tours. The band makes a defiant statement on “Radio Chorus” as the group wants to to do what it wants without judgement and the constant pressure of conforming. “El Diablo” is another track sure to be another staple at Nonpoint shows. The band’s Latin influence takes center stage and is strengthened with a memorable chorus.
The key word on The Poison Red is diversity. The band does not play it safe and stretches its wings a bit on this record. No, Nonpoint does not deviate to much from its sound, but it switches things up enough to keep the listener’s ears perked. This is good as the band does not fall back on conventions and it also solidifies Nonpoint’s status as a band that makes music on its own terms. Not too many bands can boast of staying together for 20 years, but Nonpoint can.
In the end, Nonpoint can chalk up another victory. The Poison Red fits along just fine with the band’s discography. It is heavy, soft, angry, uplifting and introspective. Fans of the band should pick it up as should anyone that want an introduction to Nonpoint’s music.
For news and tour dates, check out the band’s website: http://nonpoint.com/