Interview: A Sound Of Thunder

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The first time I encountered A Sound Of Thunder, it was live at the Empire NoVA in Springfield, Va.  My thoughts at that time were ones of Iron Maiden, Judas Priest, and Black Sabbath, all rolled into one band!  I quickly bought up their music and have been following their work ever since.  I even reviewed one or two…and then another.  So with the release of their newest album, Tales From The Deadside, a concept record that follows the Shadowman comics from Valiant Entertainment, I knew it a great time to request an audience with this class act.  To my pleasure, they obliged!  Join me, if you will, as I speak with vocalist Nina Osegueda and guitarist Josh Schwartz as we discuss their new LP, its charting on Billboard alongside groups like Ghost and the Scorpions, as well as their love of geekdom!

As always, check the video description for a complete table of contents to navigate the interview.

Buy Tales From The Deadside from: iTunes | Amazon | From The Band (currently $4 for Digital)

For more on A Sound Of Thunder, visit:
Official Website

Review: An intimate evening with Amanda Palmer in Atlanta

Review and Photography by Danielle Boise

Thursday, April 9 marked the return of Amanda Palmer to Atlanta since 2012’s Theatre Is Evil tour, labeled as an ‘Evening With Amanda Fucking Palmer.’ It was just that, with Palmer, her piano and ukulele made a stop at Atlanta’s Variety Playhouse in the heart of Little Five Points. Fans lined up hours before to be front and center to see their muse.

After all, who wouldn’t be excited to see Amanda Palmer? I mean it’s Amanda fucking Palmer after all. The creative genius that combines meaning into conceptual art, cabaret, theatre and breathes love and intent into each step of her journey, which she honestly, and carefully, shares with her fans in an utterly transparent and raw way. Palmer’s story is extraordinary, from her days as a living statue to being a founding member of the punk duo, the Dresden Dolls. Palmer made history setting records with crowd funding in 2012, with her album Theatre Is Evil. Being the first artist to reach 2 million dollars through Kickstarter, Palmer’s latest venture is in the realm of the written word, with 2014’s “The Art of Asking.” There is nothing she cannot do, and is willing to share her experiences with the world.

Palmer played to a sold out crowd in Atlanta. People were posting days and hours before on social media looking for extra tickets, with little to no avail. If you have ever been to an Amanda Palmer show before, you know exactly why – for the unique experience. One full of astonishingly intimate moments encapsulated in the human experience, from sheer happiness to the depths of sorrow, it’s a mixture of stark reality blended beautifully together with pure bliss and, of course, lots of laughter.

The alternative/punk songstress was mesmerizing to watch as she enraptured the crowd with songs spanning her career, like “Astronaut: A Short History of Nearly Nothing,” “Oasis,” “The Bed Song,” “Ampersand,” and “The Killing Type.” The really poignant moment was her cover of Ben Folds Five “Brick.” It was an interesting contrast of absorbing the content of the song while a pregnant woman sang about abortion. But the truly treasured moments were in between the  songs; she shared her experiences of life, politics and even her pregnancy with the enthusiastic crowd. There is a deep connection between Palmer and her fans, with these quiet moments mixed with pure unadulterated passion and the exchange is simply beautiful.

Palmer walks to her own beat, unapologetically so, not caring what anyone else thinks or does. There is a fearlessness to Palmer, even when she is scared she is willing to reach out and try, try something new. Like becoming part of a new platform, Patreon which is altering the music industry and landscape. This strong, proud woman is on her own journey and thankfully she’s willing to carry us along for the ride – and what a glorious ride it is.

Catch Amanda Palmer out on the road, because it may be a while after her eight-date Southern tour before Palmer hits the road again.

Upcoming Tour Dates with Amanda Palmer

April 10 – Birmingham @ WorkPlay Theatre
April 11 – New Orleans @ Civic Center
April 14 – Austin @ Paramount Theatre
April 15 – Dallas @ Granada Theater ***SOLD OUT***
May 8 – Chicago @ How Design Live Conference

Full Photo Gallery of Amanda Palmer


Is crowdfunding the secret to artistic entrepreneurship?

Learning how to make the most of a crowdfunding project takes the risk away and allows artists to leverage their networks

Learning how to make the most of a crowdfunding project takes the risk away and allows artists to leverage their networks

By Ellen Eldridge


Crowdfunding means leveraging your network


Supporting an artist’s fundraising campaign means buying it before it’s out (and sometimes before it’s created) for fans, but for entrepreneurs, a clear mission, an established, dedicated fan base as well as careful thought and research are all needed for successful crowdfunding.


kickstarter-shipping2-monsterAccording to CNNMoney Dec. 2012, an incredible 84 percent of the top 50 most-funded projects missed their target delivery dates, so fans investing in projects need to anticipate disappointment or properly vet an artist before investing in his or her project.


Robyn Jasko first funded a project by 356 percent in April 2012 to take her book “Homesweet Homegrown” on tour, and in May 2013 she funded by 6,285 percent a project to grow and bottle fully organic, non-GMO hot sauces using heirloom ingredients that she plants, grows, harvests and bottles.  She says the most important contributions to her success involved research, setting reasonable and attainable goals.


Robyn Jasko funded two major projects via Kickstarter

Robyn Jasko funded two major projects via Kickstarter

“Before I did Kickstarter I did a lot of research on similar projects,” Jasko says. “I spent at least three weeks researching Kickstarter to apply knowledge to my project.”


Launching a project after weeks or even months of preparation stresses artists Jasko says.


“The second you hit that launch button, everything changes,” she says. “You become extremely emotional.”


Programs like Kickstarter and GoFundMe take the spirit of independent art and run with it, in what seems like the perfect solution for bands, authors and all entrepreneurs with great ideas but no money.


The fact is that even with a great idea, a talented artist has to connect and engage with its fan base to reap rewards.


Paul Durham’s band, Black Lab, released Your Body Above Me on Geffen Records in 1998 before the label fizzled out as the music industry changed dramatically. Durham says he took his cue from the success of Amanda Palmer, a musician who was one of only eight to deliver her project on time according to CNNMoney, when he decided to invest $50,000 dollars in recording an album, and asked his fans to fund the costs involved with mixing, mastering, manufacturing and marketing the release.


Paul Durham of Black Lab used Kickstarter to successfully fund mastering and marketing of "A Raven Has My Heart," due out April 2014

Paul Durham of Black Lab used Kickstarter to successfully fund mastering and marketing of “A Raven Has My Heart,” due out April 2014

“A lot of people are doing things they haven’t done before and they hit obstacles,” Durham says, and he admits that he is less likely to back a project of musicians trying to fund recording than investing in finishing a completed album. “Going into the studio is a more risky investment,” he says.


What kinds of programs and which artists are most likely to succeed with crowdfunding?


Durham says a lot of people buy Black Lab albums from iTunes and the band’s website, so he knew he had an established fan base as did Palmer. His experience with major labels allowed him to understand the time-table for mixing, manufacturing and distributing the new album, A Raven Has My Heart, so he knew he wouldn’t let fans down by not meeting target delivery dates.


As a platform that reached $1 billion pledges in 2014, Kickstarter can help projects it approves of as well.


“In the first campaign, they put us in a newsletter as a project and we hit $3,200 dollars that same day,” Jasko says.


During her hot sauce project campaign, Jasko says her project met all the criteria for Kickstarter success including following guidelines and best practices (Kickstarter offers a “school” for artists to understand how best to create and promote projects).


Though she had never spoken with anyone at Kickstarter, Jasko says her hot sauce project was boosted by Kickstarter’s decision to feature her project on its homepage.


“The success was really launched by Kickstarter,” Jasko says, though her diligent research and forethought included strategies for reaching out to local bloggers and networks in the organic and homegrown food industry.


Secrets to crowdfunding success


With a success rate of just under 44 percent, no entrepreneur should think crowdfunding is an easy endeavor. While 10 percent of projects never receive a single pledge, 80 percent of those that reach 20 percent of their goal reach full funding.


Durham says Kickstarter means making the best use of an existing network and fan base. “My network is in place,” he says. “For me, Kickstarter is a way to leverage your network.”


He told his fans that the funding of the new album is all-or-nothing and that “The thing that will make a difference between success and failure is your help.”


Other secrets to success that Jasko and Durham agree on include creating a concise message and great rewards.


In the research phase, Jasko reached out to her network and sent review copies of “Homesweet Homegrown” to magazines and others in the industry, while Durham polled his hardcore fans.


“Originally, I had three times as much text; I need to be more disciplined and make writing tight,” Durham says, adding that price point feedback also helped him hone his project.


Stretch goals become crucial once the initial goal is met because reaching the goal means “some of the specialness of the situation goes out of the balloon,” Durham says.


The new Black Lab album was successfully funded by 259 percent, and it included stretch goals of exclusive unreleased demos and an acoustic performance sent digitally for $30,000 and $35,000 respectively. At $50,000, backers who ordered a physical product earned the stretch goal of a laminated all-access pass to the 1998 tour. Durham says rewards like this often encourage backers of digital products to increase to a physical product tier. The final stretch goal reached for Black Lab’s A Raven Has My Heart is an 8-song U-stream concert where backers can make song requests.


Clearly, success is quite possible for entrepreneurs with clear visions for their projects, especially those who have already invested in their projects financially and through doing research. Find yourself, define your mission and hit your target audience to reap the rewards from crowdfunding.