CD Review: “Emperor of Sand” by Mastodon

Emperor of Sand is a chrysalis of an album. Like Crack the Skye before it, it’s a harbinger of a new sound. Not that Mastodon ever really stops tinkering with its sound, but the band’s seventh album gives every indication that it’s ready to shed the last of its metal cocoon and fully emerge as a psychedelic, hard rock band. But there’s still plenty of metal to shed.

Like many Mastodon albums, Emperor of Sand is a concept album. It tells the story of a man condemned by a sultan to die in the desert, which is an allegory for facing cancer and the emotions one deals with when learning he or she is going to die. The desert imagery coupled with the inevitability of death is a little reminiscent of “Ozymandias” if the old king knew what was coming.

Sonically, the album follows the trend toward hard rock established on The Hunter and Once More ‘Round the Sun, but some of the softer dalliances are jarring. The single “Show Yourself” has an unusually radio friendly pop aesthetic that may put off longtime fans. It lacks the proggy layers of a typical Mastodon song and the absence of hard edges makes the track feel flat at first blush. But to its credit, “Show Yourself” is an incurable ear worm. Lines like, “You’re not safe as far as I can tell, and I can tell,” burrow deep. It’s the song you’ll catch yourself humming days later. However, “Show Yourself” is something of an outlier. There are moments, flashes, in songs like “Precious Stones” and “Steambreather” that reflect a similar commercial gleam, but as a whole, there’s not another song like “Show Yourself” on Emperor of Sand.

Mirroring the journey from denial to acceptance, the songs get heavier and angrier making for some of the heaviest songs Mastodon has produced in the last eight years. Brann Dailor’s clean vocals dominate the early half of the album, but increasingly give way to Troy Sanders’ growls. Sanders’ harsher vocal are further anchored by guest appearances from Neurosis’ Scott Kelly and Brutal Truth’s Kevin Sharp on the final tracks.

Emperor of Sand hits a sweet spot mid-way through with a trilogy of songs (“Word to the Wise,” “Ancient Kingdom” and “Clandestiny”) that hit an epic pitch, granting a sense of grandeur in the face of a feeble and fearful passing. It’s a sad album and an angry one. One that refuses to go peacefully and fights it out to the end. Something familiar is fading out on this album, but something new and (hopefully) interesting will follow.

Mastodon is currently on tour and you can catch them with Russian Circles and Eagles of Death Metal in Birmingham, AL on April 28th at Iron City. You can find tickets here and a copy of the new album comes with every pair of tickets purchased online.

 

CD Review: Mastodon – “Once More ‘Round the Sun”

Once More ‘Round the Sun builds on the cleaner hard rock leanings of The Hunter.

KB_hires_cover

 

 

 

 

Review by David Feltman

Like The Melvins or Frank Zappa, Mastodon is a band that refuses to settle. The band has tinkered and pushed its sound on every release, always looking for something a little better, a little more interesting. Once More ‘Round the Sun builds on the cleaner hard rock leanings of The Hunter, but the album takes a more technical tact with math-y layered arrangements. The sound is every bit as big as it ever was, but it’s lighter this time, airy, like the pink bubble elephants from “Dumbo” rather than rampaging mammoths. (In fact, it’s a lot of fun to watch this video while rocking out to the new album.)

The ever-evolving sound of Mastodon has only served to sharpen the band as songwriters. The tracks take unexpected directions and entertaining detours, giving little warning before becoming viciously heavy or slowing down for some melodic noodling. The lead guitar work enjoys a more featured spot as the band makes a concentrated effort to reincorporate the spacey psychedelics of Crack the Skye on tracks like “Tread Lightly” and “Halloween.” The lighter moments are among the most transcendent of the album, like a moment of weightlessness before plunging back to Earth, but Mastodon never hesitates to get heavy when the song calls for it. Sludge icon Scott Kelly of Neurosis is even called in to close the album with the creepy eight-minute behemoth “Diamond in the Witch House.”

Oakland artist Skinner creates a bad acid trip of an album cover for the band, perfectly encapsulating the feel of the music. If you enjoyed The Hunter, Once More ‘Round the Sun is sure to impress. And if you happen to be on the fence, the good news is you can stream it free for a limited time on iTunes.