Interview: Deen Castronovo from Revolution Saints and Journey

Revolution Saints is the newest rock and roll band on Frontiers Records. The band consists of Jack Blades (Night Ranger) on bass, Doug Aldrich (White Snake) on guitar, and Deen Castronovo (Journey) on drums and lead vocals. The project was first put together by the founder of Frontiers Records, Serafino Perugino with music written by Alessandro Del Vecchio. The idea to create a “melodic rock”/AOR album appealed to the band members, who had all known each other for several years.

The Revolution Saints’ self titled debut album is going to be released on Feb. 24 in North America. Before rejoining his Journey bandmates for their spring and summer tour, drummer Deen Castronovo took some time to talk to TAM about the Revolution Saints, the new album, balancing multiple projects and future plans for his bands.


Hey Deen, how does it feel, being this close to the Revolution Saints’ debut release?

I’m very proud of the new album. We did it for fun. We didn’t think it was going to get this much exposure, and this great of a response. Now it’s just amazing to us!

Could you tell us a bit about how the project came together?

This was Serafino Perugino’s brainchild. He called me and asked if I would do drums and do some singing. I didn’t realize I was going to do the whole record, honestly. I thought I was going to do some songs and there was going to be guys coming in and singing the rest, but it turned into this. When we were talking about other musicians for the project, he brought up Jack Blades and it was a no-brainer. He was perfect. I’ve known Jack since I was 17. He’s a great songwriter, great singer and a fantastic bassist.

Then they brought in Doug Aldrich’s name and I said “of course, he’s a monster!” Doug is a highly under-rated player. He’s done his stuff with Whitesnake and Burning Rain and Lion, which is what I knew him from. Journey toured with Whitesnake. We did a UK tour with them, and I would watch every night. Doug was ferocious! To have him in the band is a blessing. He is an amazing player.

What do you think about the revitalization of album oriented rock and vinyl records?

I’m amazed at that. I grew up with the vinyl, and then it went to cassettes, CDs and then downloads, but I am a purist. I love the vinyl. The old vinyl recordings… there is nothing like that.

So, let’s talk about the creation of the music behind Revolution Saints…

You know, all of the lyrics and the music were written already. Alessandro Del Vecchio, the house producer for Frontiers Music sent us the demos. We listened to them all and said “Yeah, we can do this!” I remember Jack calling me just before I did my drum tracks and he told me, ‘Deen, I want you to play like you. Don’t play like the demos. Just bring yourself out.’ Sure enough, I just went in there and tore it up. Good, bad or indifferent, I did what I did on it.

The hope, for the next record is that Jack, Doug and I are going to write the record together and make it our own. This was an amazing project and we’re grateful for what Alessandro brought to the record, but for the three of us to do our own record next year, it’s going to be an awesome thing.

With your touring schedule with Journey being so busy during the spring and summer, does Revolution Saints have any shows that they’re going to try and do?

Definitely. We won’t be doing anything in the States right away though. We’ve had offers from countries in Asia to do stuff in October, so we’re looking at doing some concerts in October and November. The UK, Asia and hopefully the States. Journey finishes our tour in August, which gives us a lot of time to do Revolution Saints shows, until Journey goes back out on the road next year in 2016 in March and April. We’re going to do as much as we can, schedules permitting. Doug has his projects, Jack of course has Night Ranger, and I have Journey, which is my priority and it always will be until the band ends.

How was the recording handled with the Revolution Saints, given the complicated schedules of everyone involved?

We couldn’t get into a studio together, because all three of our schedules were conflicting, so thank God for technology. It gave us the opportunity to do the drum tracks, send the files to Jack, so he could do his bass stuff, and then have Doug come in and do his spin on it. I’m grateful for being able to do something like this, the way we did it, but I can’t wait to get into a studio with all three guys and create what we’re going to create. There’s nothing like the vibe in a studio. There really isn’t.

There’s a spirit that happens when musicians are in a room together and the magic that ensues when you’re together in a studio. You lose a little bit of the magic, but since we all knew each other and are all friends, a lot of the magic was still there and it came out in the files. The magic was still there and the fire was still there because we’re friends and the chemistry between the three of us is great.

To a listener, the first time they listen to Revolution Saints, they may pick up the Journey sound, the next time, maybe some Damn Yankees or Whitesnake. Each listen seems to bring out a different sound…

Exactly. You are going to hear those. I am a huge Journey fan. I was a huge Journey fan before I even joined the band, so you’re going to get those Journey comparisons. Honestly, that is humbling and I am very grateful for that. To be compared, even a little bit, to Journey or Night Ranger or Whitesnake… dude, that’s huge for me. I embrace it wholeheartedly. It’s a cool thing to be compared to such iconic bands. Journey is still the soundtrack to my teen years. For people to say that they hear it in Revolution Saints, that’s a compliment. I’ll take that any day.

Neal Schon and Arnel Pineda from Journey both contributed parts to the Revolution Saints album. Have your fellow band mates from Journey been supportive of the project?

You know, they have been. I always run everything by the guys because they’re my brothers. When I told them I was going to do this, they embraced it and said to go for it. Neal was the first one to post the Revolution Saints EPK on his website, which was huge. He’s very supportive and is my number one cheerleader. I remember when I first sang on his record, when I did “Love Finds a Way” on the So U record he said “this is going to open up major doors for you… you watch.” He was right. I couldn’t believe it. I went from that to getting the offer from Serafino to do this record. So, I am forever indebted to my Journey band mates and brothers for allowing me to have this shot.

So, do you see yourself doing a ‘Phil Collins,’ bringing yourself to the front of the stage and running around while you sing?

Actually, that’s what we’re talking about. If we do a tour, we’ve got a drummer already lined up: One of my best friends, Steve Toomey, who’s an amazing drummer. He knows all of my stuff. He’s been with me as Journey’s drum tech for nine years now. He knows my stuff back and forth, so we’re going to bring him in and I’ll come out in front on some songs and then go back on drums and sing as well. But, yeah, we want to take a page from the Phil Collins, Don Henley book of singing drummers. It will be a challenge, but I’m up for it.

For more info on Revolution Saints, check out their Facebook page and Pledgemusic page

Live Review: Journey @ Aaron’s Amphitheatre at Lakewood



Photos and Review by Michael Bradley

Those that weren’t alive in the early ’80s won’t remember what an absolute juggernaut the band Journey were at that point in time. For a stretch of about five years they were arguably the biggest band in the world. They had a multi-platinum hit record on their hands with 1981‘s Escape (now over 12 million copies sold); their videos were all over MTV, and they were raking in gobs of money by touring the world. They had their own video game for crying out loud. They were everywhere.

Time took its toll on the band, and after vocalist Steve Perry’s departure (excuse the pun), the band marched on with singers Steve Augeri and (briefly) Jeff Scott Soto, before beginning their now famous YouTube search to find their current singer, Arnel Pineda. The hiring of Pineda has served as a bit of a re-birth for Journey, and the band is currently touring on a greatest hits package, bringing along San Francisco music veterans The Steve Miller Band and Tower of Power for a “Sounds of San Francisco” celebration.

Journey’s setlist was comprised of the band’s most popular songs and spanned their entire career, from the pre-Perry single “Wheel In The Sky” to two of the band’s songs with Pineda: “She’s a Mystery” and “Ritual,” both from 2011’s Eclipse.

Arnel Pineda is a joy to watch, and his infectious smile and joyous stage presence serve the band well, as do his outstanding vocals. With two releases and several years as Journey’s frontman under his belt, he’s solidified himself as the singer. Fans who are loyal to Steve Perry will probably never let the comparisons rest, but at this point what does it matter?


“Be Good To Yourself,” “Separate Ways” and “Any Way You Want It” got the night off to a rocking start. Guitarist Neil Schon’s instrumental-intro to “Stone In Love” contained a distortion-drenched snippet of “The Star Spangled Banner,” a nod to Jimi Hendrix’s Woodstock performance no doubt. It’s hard to believe that Neil Schon played at Woodstock as a member of Santana. Quite a career.


Powerhouse drummer Deen Castronovo provided a stellar vocal performance on “Mother, Father,” one of the more vocally challenging songs from the Steve Perry era. Castronovo showed great range, capturing all of the dynamics and delivery of the original. In short, he “knocked it out of the park.”


“Lights” and the ballad-to-end-all-ballads “Open Arms” followed as each band member took a turn introducing a song with a brief bit of historical information. Keyboardist Jonathan Cain revealed that the initial spark for “Faithfully” was written, as a million ideas probably have been: “on a napkin.”


Set closer “Don’t Stop Believin’” turned into a massive sing-along, and even got a few of the ushers at the venue (who will remain nameless) dancing in the aisle.

The band probably could have played for another hour for their encore, but sadly only chose one song: the bluesy, hip-grinding “Lovin’, Touchin’, Squeezin’.”

Overall, a phenomenal show and production.


Full Gallery of Journey

Full Galley of The Steve Miller Band