Although based out of Atlanta, Mastodon’s concert at Birmingham’s Iron City was a homecoming celebration. Vocalist/lead guitarist Brent Hinds is a Birmingham native and his family was in attendance. His mother spent the show hopping up and down, leaning against the balcony and his 90-year-old grandmother sat in a chair on stage and danced with members of both Mastodon and Eagles of Death Metal during the show.
Fans turned out in full force and filled with enthusiasm. The audience packed in tight such that making your way from one side of the venue to the other was a harrowing journey. The crowd met nearly every song with dancing, fist pumping, sing-alongs and the occasional mosh pit.
“You guys are really incredible,” said EODM front man Jesse Hughes. “I don’t think we’ve ever had a reception like this.” Both EODM and Mastodon echoed this sentiment several times during the evening. Of course it’s the sort of canned response that most bands spout at every show, but it felt sincere given the high capacity, high-energy audience.
After Russian Circles warmed up the crowd with a quick opening set, Hinds joined EODM on stage for its first few songs after introducing his grandmother. The band’s feel-good dance rock only contributed to the festive vibes of the night. Hughes strutted around the stage like a redneck Mick Jagger and rocked out with a cover of Bowie’s “Moonage Daydream” amid the regular set list. Josh Homme rarely tours with the band and this night, unfortunately, was no different. But the touring band put on an excellent performance and Homme’s absence was barely noticed.
Mastodon’s stage show was no-frills/all business, which is fairly typical for the band. Four vertical monitors were positioned around the back of the stage and displayed dissected, colorful, psychedelic images as the band played. With the exception of the arrays of colored spotlights, the stage lights were kept low to emphasize the colored, whirling patterns. The only other form of theatrics was Hinds’ dancing granny.
Mastodon opened with “Sultan’s Curse” and proceeded to play nearly every track off the new album, Emperor of Sand, during the course of the night. The set was still filled with plenty of fan favorites like “Oblivion” and “Blood and Thunder,” but the new songs received as many whoops and cheers as the established hits. Crowd surfers were a frequent occurrence during Mastodon’s performance but mosh pits seldom appeared, spontaneously breaking out during heavier numbers like “Blood and Thunder” only to quickly peter out by the next song.
“You want an encore?” Hinds asked at the end of the night. The audience was still in high spirits and called for more. “Well how about this for an encore?” Hinds stepped backstage, reached for his girlfriend, Raisa Moreno, and led her onstage. He knelt and proposed to her. It was a bigger encore than the audience could’ve anticipated, a one-of-a-kind show. Hinds’ mom shouted from the balcony while her son and new daughter-in-law embraced. The band didn’t try to follow that with another song.
The concert was an intimate experience shared with fans. It was the sort of show that fans talk about for years. “Were you there the night Mastodon’s guitarist had his grandma dance onstage and then proposed to his girlfriend?” It was a treat to hear the band play the new songs and it’s definitely worth catching this bill on tour, but the remaining tour dates won’t compare to seeing the Iron City show.
